This unit covers topics like controlling speed, rhythm, musicality, and building combinations.
Class 1: Rhythm and Tempo
This class discusses six of the various basic steps and rhythms that exist in country swing and how they are applied to match tempo with the music.
Class 2: Playing with Combos
This class investigates a number of classic moves and discusses how they fit into the framework of the Position and Transition model of dance, and how to use that model to build combinations, or alter them to create new combinations and patterns.
Class 3: Building Move Sets
This class investigates organizing moves and combinations into sets to better recall and execute moves quickly in time with music, including building a basic combo.
Class 4: Phrasing
This class explains how to structure the format of a dance to match the format of music, linking the two together and showing dancers how to prepare for move sets in advance, a critical aspect to improv.
This unit focuses on leading and following techniques and how partners express and interpret intent.
Class 1: Framing and Cues
This class is a series of exercises aimed at developing effective leading and following technique crucial to quality social dancing, and presents a range of cues that help dancers perform specific actions. It also discusses how cues are determined by their intent, i.e. how their form is designed by their function.
Class 2: Driving Momentum
This class is a practical experiment on how a lead guides the momentum of themselves and their partner in order to create fluid and harmonic dance patterns, and how momentum effects timing, selection, and execution of moves.
Class 3: Reciprocation and Accommodation
This class is an extension and combination of the exercises in class 1 and the experiment in class 2. Putting an emphasis on how interpretation of intent between partner is determined by their attention to each other, and how to accommodate for the unexpected when intent is not interpreted the same.
Class 4: Opportunity
This class expands the skills in the other three classes by applying the concept of opportunity, or how to balance control between the lead and follow to allow for more mutually involved and playful dance found in expert dancers and social dance improv.
This Unit focuses on ways to stylize different parts of the body to make the basic actions of a move come to life with variation. The first three classes in this unit focus solely on how to stylize a specific part of the body given various moves, while the fourth focuses on the feeling that is put into a dance.
Class 1: Arm Styling
This class focuses on how movement of the arms can change the dynamic of a dance.
Class 2: Head, Core, and Hip Styling
This class investigates control of the main blocks of the body and how to control them to change your stylistic approach.
Class 3: Leg Styling
This class shows how slight changes in leg position and angles can create a different experience and exposition to a crowd.
Class 4: Attention, Energy, and Mood
This class then expands stylization to the non-physical aspects of stylization that give a dance metaphysical personality and power.